A man in a black suit and tie smiling at the camera.

Anthony Barnhart, Ph.D. is a teacher-scholar who aims to inspire intellectual curiosity, nurture skeptical inquiry, and promote rigorous science through his teaching, laboratory research, and public speaking.

News from Prof. Barnhart and the MAGI Lab:

Anthony Barnhart Anthony Barnhart

Through the Magic of Television…

The 1990s were the advent of television magic as we know it today. I recently appeared on the “Through the Magic of Television” podcast to discuss one of the lesser-known TV specials that shaped me as a young magicians. Although it’s a paywalled audio podcast, the host, Alex McAleer, also produces video versions to accompany the discussion!

The 1990s were the advent of television magic as we know it today. I recently appeared on the “Through the Magic of Television” podcast to discuss one of the lesser-known TV specials that shaped me as a young magician. Although it’s a paywalled audio podcast, the host, Alex McAleer, also produces video versions to accompany the discussion! You can watch our analysis of “Magicians’ Favorite Magicians” below.

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"Big Five personality traits, curiosity, and exploration in the world’s best magicians"

Napora, W., & Barnhart, A. S. (2025). Big Five personality traits, curiosity, and exploration in the world’s best magicians. Psychology of Aesthetics, Creativity, and the Arts. https://doi.org/10.1037/aca0000745

My Polish collaborator, Wojciech Napora, and I have just released the culmination of some of our research exploring the personalities of FISM award-winning magicians. We are proud that the work is being featured in the top-tier journal, Psychology of Aesthetics, Creativity, and the Arts. Wojciech spearheaded this work during the pandemic, when he personally recruited 50 FISM winners to participate...No small feat! https://doi.org/10.1037/aca0000745

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"Identifying the Boundaries of Magic"

Back during pandemic times, I was awarded a sabbatical from Carthage College. Part of my sabbatical project involved gaining some training in qualitative research methods. This week, I published my very first paper using those methods. The paper, entitled "Identifying the Boundaries of Magic: A Qualitative Study of Expert Magicians" was published in the peer-reviewed Journal of Performance Magic. My collaborators, Sarah Tuchel, Gustav Kuhn, Dan Simons, and I set out to understand expert magicians' attitudes about where magic ends and other performance arts begin. Interviewees included: Joe Diamond, Jamy Ian Swiss, Carisa Hendrix, Jeanette Andrews, Tom Stone, and David Parr. Video from the interviews is available on Science of Magic Association website at: https://scienceofmagicassoc.org/blog/2024/7/1/interview-series-on-magic-misdirection

Sarah Tuchel and I presented this work at the 2023 British Society of Aesthetics workshop on the "Art & Aesthetics of Illusion." You can view a video version of that presentation here.

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“The Art of Deception”

(H. Armstrong Roberts & AP Photo / Alex Brandon)

I was featured in a very thoughtful (and wide-ranging) piece published today in The Lever. While it started with exploration of the competition to find a piece of magic that is exclusively auditory in nature, it expanded to touch upon how politicians use techniques similar to those of magicians and a deeper analysis of the role that vision plays in our lives. It starts with a rather disgusting piece of imagery (seen above) and ends with an embarrassing one (that you'll have to seek out in the article)! Have a look at https://www.levernews.com/the-art-of-deception/.

I also appeared on an episode of the “Lever Time” podcast that emerged from the interview for this piece. Listen at https://www.levernews.com/trump-magic-and-misdirection/.

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“Do You Believe in Magic?”

I had the pleasure to be featured in a new popular science book for young readers. “Do You Believe in Magic” explores the history of scientific interest in magical phenomena and why humans seem to have an inherent tendency toward belief in the supernatural. Author Laura Krantz interviewed experts from a variety of fields to better understand the history of belief in alchemy, magical potions, curses, and other superstitions. She also traced these beliefs forward into some of the psychology that allows modern theatrical magicians to shape the beliefs and perceptions of their audiences.

Krantz visited me in Kenosha to accompany me to a magic performance by my buddy, Joe Diamond. She later interviewed us on the interplay of science and magic…and some of the historical conflicts between the two endeavors. Ultimately, Krantz concluded that magic (in every sense of the word) has a place in the modern world, saying:


“Mysteries and things that seem like magic keep us asking questions. Even when we do know the answers, it doesn’t have to make what we’re wondering about feel any less like magic. And it’s that feeling of magic — of wonder, of curiosity, of possibility — that’s magical in and of itself, even if there are no wands involved.”

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